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FLK

by Diamond Gloss

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      $7.99 USD  or more

     

  • Compact Disc (CD) + Digital Album

    This CD is shipped from Nevada, USA and also includes immediate download of the album. You will enjoy digital tracks, when your CD is on the air!

    Includes unlimited streaming of FLK via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      $12 USD or more 

     

  • Full Digital Discography

    Get all 5 Diamond Gloss releases available on Bandcamp and save 15%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Golden Mountain Tales, FLK, Primavera, Nomawkish, and Bears. , and , .

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      $30.59 USD or more (15% OFF)

     

1.
Vocal Speed 05:15
2.
ATTIC 03:34
3.
Parti 04:06
4.
Project 2 07:08
5.
2929 02:46
6.
DJ Set Song 05:06
7.
Project DJ 03:40
8.
August 03:34
9.
Say Frankie 06:12
10.
Much Love 05:30

about

FLTTRY184
www.flutteryrecords.com
© Fluttery Records

Diamond Gloss is to release an astonishing ambient album on Fluttery Records. As the previous album “Primavera” continued exploring dense ambient sound, with drone-a-like strings and sparse pianos, from “Nomawkish”, on his fourth album, named “FLK” ( pronounced folk), Diamond Gloss decides to take a new path, bringing up synths and arpeggiated pianos along clubby beats.

There is a clear change in sound and this new direction is very clear on the first track “vocal speed”. A beat that seems to be offbeat but it’s not. Swelling synth lines and some arpeggios on harpsichord and pianos - that’s the main ingredients of “FLK”
More organic, textured, and, still, dense and melodic.

The album rewards repeated listens to discover the old delicate pianos from the past few records, among the new sounds and kind of piano based songs, such as “2929” and “August”.
“FLK” expects to be a warm coming back to the artist works.

credits

released November 16, 2020

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all rights reserved

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about

Diamond Gloss Lisboa, Portugal

Gonçalo Pereira (born 1984) is an ambient music producer from Lisbon, Portugal.

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